ROOM SERVICE - The Real Exhibition

A CASE OF CENSORSHIP


As my new exhibition at the InterContinental Hotel Phnom Penh's Insider Gallery from Sept 11 - October 11 was unfortunately censored by the management,apparently due to political issues, I took the liberty of posting up the real deal of what the exhibition is about which I didn't think was political at all. This does not directly attack the hotels or the institutions but more so a historical and personal presentation of the role of hotels in shaping Cambodia...


ROOM SERVICE
offers a glimpse of the inner facets of hotels in Cambodia, a country whose histories - both ancient and recent, brought in the need and the opportunity for hotels to find its home here or, as a cliche goes: provide a home away from home. Hotels however, have become more of a home. They have, for better or worse, become a voluntary canvas for which history painted its rich hues. It has become a framework for the past to unfold that led to the reality where we now stand.

Using old hotel linen, bed sheets, doors, room service and restaurant menus as canvas, the artist gets deeper into the intimate history of each hotel which in turn become the underlying tone of the abstract artworks. Before even the work progresses, questions are thrown: “Which famous or infamous guest sleep here? With who? How are they beneath their persona and beneath the sheets? What are their secrets? Who flipped these pages? What did they eat? How much did they spend? What kind of people were they? Did they leave a tip?” As humans, we are all bewildered by politics and celebrities and the lives of others together with the status they carry around. Hotels perhaps, are our easiest or only link to the lives of others that mesmerize ours.

Because for every president, secretary of state or prime minister who came to change the fate of this nation through pacts, agreements and international by-laws, a hotel is there to provide a secure setting for its realization. For every poet, historian, musician, author or artist who wandered and found truth through the kingdom’s breadth and breath, there is always a hotel that gave them a place to rest their weary souls. For every single traveller that has yet to rediscover Cambodia’s rich cultural fabric of interwoven histories, there is a hotel of every budget, every taste, every deed, and every colour which await for a new layer of history to happen.

“THE BIRTH OF A GLOBAL CHILD”
THE INTERCONTINENTAL HOTEL

A graphic design of the Dead Kennedys song “Holiday in Cambodia” released in 1980 featured a sign of the Holiday Inn Hotel overlapped into the song title - simply denoting how an American hotel chain’s existence in then war-ravaged Cambodia can simply be pure irony.

That was why the opening of the InterContinental (a higher brand segment from the Holiday Inn hotel family) on March 27, 1997 in Phnom Penh seemed like a joke.  But it came.

The first international hotel brand to open in the kingdom, it was also the tallest building in Cambodia at that time, and its arrival heralded the dawn of a new age for the opening of the country’s doors wider for the world to enter. With it also came something that rocked the nation with awe for the first time - HBO, electronic key cards, an indoor car park and yes, hotel uniforms without the bowtie (according to their original press kits)!

It was said that if an InterContinental can thrive in Cambodia, anything can.


ARTIST’S NOTE:
Still skeptical about moving to Siem Reap 10 years ago, I got the go-signal to come when my wife, who was working for the global reservations of the InterContinental Hotels Group then, found out that there was an InterContinental Hotel in Phnom Penh - a sign that it’s not all that bad here as what guidebooks say. We made the big move and six months later, our son was born in Cambodia - swaddled in an InterContinental Hotel bath towel in the middle of Kantha Bopha Hospital. I have found my perfect metaphor.

 “The Birth of a Global Child”

100 cm x 150 cm
InterContinental fitted sheet
and bath towel on stretched
denim with acrylic spray finish

 “The Meecha Index”

97 cm x 175 cm
InterContinental fitted sheet
and sheet ends with a pair of
chopsticks on acrylic spray finish

“The New Landscapes”

97 cm x 175 cm
InterContinental fitted sheet
and sheet ends with acrylic
spray finish

“SECRETS OF GRAND NATURE”
RAFFLES GRAND HOTEL D’ANGKOR
In 2004, 292 employees of the Grand Hotel d’Angkor as well as the Raffles Hotel Le Royal organized a union strike after demands were not met.  The big issue? The 10% service charge and tips were allegedly not given to employees of the hotel. After a series of controversial sacking of union members who protested, and with growing public support through boycotts of the diplomatic community as well as enraged customers, the management finally gave in. This was the first time the local staff found their voice and unveiled a reality hidden from the grand halls of an establishment of hospitality. It paved way for a standardization in bigger hotels of awarding the service charge and tips back to the very people that were the glue who held the day-to-day operations of the hotel together.


ARTIST’S NOTE:
During the wedding of two former Grand Hotel employees who are also starting their own wedding and event management company, we had a mini-reunion of other former employees who have now made it big on their own. One owned a jazz bar, the other one owned a boutique hotel. A former bellboy and waiter also now owns an empire of restaurants and bars in Siem Reap. This for me represented a new generation of brave and innovative Cambodian entrepreneurs reshaping the country - trained in the confines of Cambodia’s many hotels.

So be careful - that waitress who served you might be the future owner of a Four Seasons opening in the corner.

 

“Secrets Hidden”

63 cm x 111 cm
Raffles fitted sheet and old chandelier
components with acrylic spray finish

 

  “Secrets Revealed”

63 cm x 111 cm

Raffles fitted sheet, menu and old
chandelier components with acrylic
spray finish

“BROTHERS AND NEIGHBORS”

SOFITEL PHOKEETRA HOTELS

Nothing can fully symbolize the delicate relationship between the kingdoms of Cambodia and Thailand more than the Sofitel Phokeetra Hotels, two hotels in Phnom Penh and Siem Reap that have, for their histories, become part of the two nations’ embedded drama.  Although Thai-owned, these hotels have become ingrained in the Cambodian psyche and culture. It started when the Sofitel Phokeetra  Angkor hosted the filming of Angelina Jolie’s Tomb Raider film in 2000 (the first film to be shot in Cambodia since Lord Jim in 1964) - catapulting the kingdom into a global pop travel icon.

Khmer and Thai diplomacy was in an all time high until 2003 when a rumour erupted about a Thai actress’ statement on Angkor Wat.  The Royal Thai Embassy was burned by an angry mob of protesters in the capital and $47 million worth of property owned by Thais went into flames - including the Royal Phnom Penh Hotel, owned by the same group as Sofitel Angkor. Several years later, the site of the razed Royal Phnom Penh Hotel gave way to a shiny new $50 million development christened as the Sofitel Phnom Penh Phokeetra.

The rise and fall of the relationship between Thailand and Cambodia clearly defines the inseparable truth that both not only share borders but also blood, history and heritage - more than they would both care to admit.

ARTIST’S NOTE:
When I was hired as the official photographer at Sofitel Phokeetra  Angkor for the visit of  Prin­cess Maha Chakri Srindhorn, thoughts of the anti-Thai protests in 2003 came rushing to my mind. There were hundreds of guards stationed in every block of town, helicopters hovered endlessly and security was even tighter than Bill Clinton’s visit. But as she arrived in the lobby and all heads bowed, both Thais and Khmer in equal respect, the borders were once again blurred. She took her camera out and took pictures of us taking pictures of her.

 “Blood Brothers”

81 cm x 160 cm
Sofitel fitted sheet and hanuman mask
with acrylic paint finish

“Blood Neighbours”

83 cm x 155 cm

Sofitel fitted sheet and Aor Tronum
lace with acrylic paint finish

“UNDER THE SHEETS”

RAFFLES HOTEL LE ROYAL

As the capital’s oldest existing hotel, Raffles Hotel Le Royal is in itself entrenched as a major thread in Cambodia’s historical fabric. Not only it has hosted high profile visitors in the likes of Jacqueline Kennedy, Charlie Chaplin and recently, US President Barack Obama (the first incumbent US President to ever set foot in Cambodian soil) but the hotel itself also has become a refuge to the last remaining foreign journalists covering the fall of Phnom Penh to the Khmer Rouge in 1975, as featured on Sydney Schanberg’s film memoir - The Killing Fields.

Importantly, Hotel Le Royal became an artistic catapult which nurtured and inspired artists like Svay Ken - the father of modern Cambodian art. Working as a waiter for the Hotel Le Royal all his life, Svay Ken, upon retirement, spent the remaining years of his life painting his memories and life stories in thousands of canvasses until he passed away in 2008. In one interview, he recalled being inspired by the paintings of the Elephant Bar when he was a waiter, attributing his interest in art to his workplace.


ARTIST’S NOTE:
Artistically, Raffles Hotel Le Royal also became my personal refuge when they invited me to exhibit my work for the first time in Phnom Penh in 2010. This is only my 2nd exhibition in the capital which coincidentally is in another hotel.

 “Svay Ken’s Unraveling”

111 cm x 140 cm

Raffles fitted sheet on stretched denim
with acrylic paint and spray finish

 “Obama’s Awakening”

111 cm x 140 cm

Raffles fitted sheet on stretched denim
with acrylic paint and spray finish

“PROMISE OF THE STARS”

HOTEL DE LA PAIX

The story of the original owners of Hotel de la Paix is one that is yet to reach its final chapter. Opened in 1957, the art deco style hotel was owned by Dap Chhoun and his wife Chan Oudumsak. Dap Chhoun, since the 1940's has been an influential military ally and governor of Siem Reap to then Prince Sihanouk. But caught in the middle of the growing conflict in Vietnam and all over Indochina, Dap Chhoun met his tragic end in 1959 when a growing rumour of him establishing Siem Reap as a separate US-backed country from Cambodia became more apparent. As he was taken from his wife on that fateful night, he promised her that they would meet again in another world.

Chan Oudumsak, his widow who was once one of the wealthiest people in the country, now lives in squalor, awaiting the day the husband promised her.

Sadly, the hotel itself also met its end in 2013, when the Hyatt Group took over the property, changed the identity and renamed the once illustrious Hotel de la Paix into the Park Hyatt Siem Reap.


ARTIST’S NOTE:
After moving to Cambodia and still working for Angkor Century Hotel, Hotel de la Paix was one of the first hotels who expressed interest in my work. After doing a couple of design work for them, the stage was set and I eventually quit my job and opened my own design studio which I run until now. I was also invited to exhibit my show in Hotel de la Paix’s Arts Lounge in February 2009 and several years later, I came onboard as a creative consultant for the hotel.

 "Screw the Stars"

40 cm x 210 cm each
Assorted screws and round
flushers on the old Hotel de
la Paix bedroom doors

“A HOME FOR THE KING”
AMANSARA
Built in 1962 by the French architect Mondet for Prince Norodom Sihanouk as his residence in Siem Reap, Amansara was a paragon of the high style and elegance which was a benchmark for a new, modern Cambodia. Known then as the Villa Princierie before reincarnating as Villa Sokha and Villa Apsara, it was the playground for the royal family and their high profile guests - from President Charles de Gaulle to  Peter O'Toole. When Jacqueline Kennedy quipped that her biggest dream is to see Angkor Wat, she used this place as her base.

Adrian Zecha, founder of Aman Resorts, stayed here as a journalist for Time Magazine in the sixties, ingraining on him the sense of cultural value the villa had when he got it in and reopened it as Amansara in 2002. Now, the 24-room private resort still retains its spot as the preferred base for Angkor for those who can afford it - from hollywood celebrities, presidents, kings, billionaires, dictators and everyone you see daily in the headlines.


ARTIST’S NOTE:
I was lucky enough to land several projects with Amansara in its early days which eventually led to work with other Aman Resorts globally. But every once in a while, I still get surprised for getting unique opportunities like designing a wine label for a certain billionaire guest or creating a specialized colouring book for Zahara and Maddox Jolie-Pitt.

“He Who Owns the Forest Rules the Trees”
45.5 cm x 118 cm each
Amansara dining room table linen
on wood boards with toothpick and
chopstick installation

“INTERSECTIONS”
THE 1961 ART HOTEL
My own venture in the world of hotel business was in a whirr of remarkable ups and downs.

1961 first opened up as a contemporary art gallery in Siem Reap in a sixties style villa we originally rented out as a home. Having been encouraged by artists we housed during exhibitions, we slowly opened a couple of rooms and opened up to the public which was initially a success until we maxed out our space and opened 13 rooms which was fun for the first 2 years but exhausted us beyond that. 

More than waking up at 4 am to prepare breakfast for guests catching sunrise in the temples or waiting for late night guest arrivals from midnight flights, the most rewarding part of the deal was playing host to Cambodia’s finest local and international artists and even those who simply are in the beginning of their careers - in the cusp of change, in the sprouts of greatness.  The gallery and hotel was our stage, our dynamic intersections. Not even a trip advisor review calling me ‘weird, wacko and a hoax’ could dampen my spirit.

Providing a little home for the kingdom’s new generation of artists, musicians, poets, performers and cultural bearers is in itself an opportunity to be part for a new history to thrive, more than the joy of a glowing Trip Advisor rating could ever bring.

Now, the art gallery still stands but the hotel is no longer there. The rooms have been converted into a coworking lab and atelier spaces for designers, artists and a new generation of like-minded spirits, this time with a new business partner who happened to be one of our first guests at the hotel.

ARTIST’S NOTE:
My personal professional advice for those planning to open their own boutique hotel business? DON’T open a boutique hotel business!

“Intersections”
133 cm x 152.5 cm
Acrylic spray on stretched
1961 Hotel flannel blanket

 “Dancers at Dawn”
122 cm x 151 cm
Acrylic spray on stretched
1961 Hotel bed linen

 

"Trip Advisor Ties"

122 cm x 151 cm
Acrylic spray on stretched
1961 Hotel bed linen

“THE NEW EMPIRE”

SOKHA HOTEL GROUP

One of Cambodia’s largest and wealthiest corporations started out as a small rubber tire business in Prey Veng province from a young Khmer man of Vietnamese descent who began his venture with a measly $100 budget.  But empires are built by opportunities... 

After selling petroleum to the new Cambodian government and later on the UNTAC, his business grew into an empire that oiled the nation into a dizzying pace. Oil turned into garment factories and garment factories turned into mega builders of roads, dams and bridges as well as Cambodia’s biggest hotel chain - Sokha Hotels, which coincidentally is now the gatekeeper of all of the kingdom’s world heritage temples. Cambodia is perhaps the only country in the world whose millennium-year old heritage sites are run and managed by a hotel chain. 

A new empire now holds the key to the old empire.

So next time you head to Angkor Wat and pay for a $20 day pass, remember that this multi-million venture (imagine 2.5 million tourists each year paying $20 each!) all started out with rubber tires in a dusty street in Prey Veng.


ARTIST’S NOTE:
I seriously want to quit my job as an artist and start my own rubber tire company. 

“The New Empire”

67 cm x 150 cm
Acrylic paint and spray on banner
material with 25 pcs of Sokha Hotel’s
Angkor Wat one-day temple passes

*Historical details in the literature were either personally experienced by me or from online resources and comparative reporting of The Cambodia Daily, The Phnom Penh Post, Time Magazine and Wikipedia

all roads lead to laos!

So it's really happening! My first solo exhibition after almost 5 years which is also going to be opened in the UNESCO world heritage city of Luang Prabang which I have been dying to go to for the last 8 years...

Looking forward for this...

the fire within

After more than 4 years, I am actually going back to creating my own work. My entire life for the past couple of years have been spent opening up boutiques, galleries, the hotel and helping out artists in any way possible and balancing family life - so that leaves the remaining 3-4 hours of my day sleeping. Yes, I am still human after all.

So when I got an invitation to do a one man exhibition in Luang Prabang, Laos, I said yes and there came the push that I needed after all these years. My last major show was in Beijing during the 2008 Olympic Games and I thought I have been more complacent about developing myself further as an artist. So this Laos exhibition in November is truly another great reason for me to drown myself in my own universe with an exhibition entitled THE FIRE WITHIN.

 

The Fire Within is primarily a commentary on subjugation, censorship, and the human tendency to reignite the flame of freedom that has long thought been extinguished. Using original photographs taken from all over Asia and placed as puzzles on hundreds of match boxes, the works represent the faces of everyday people and their poetic representations confronted by their daily march towards happiness, their journeys towards it or the utter lack of it.

Meant to be opened and tinkered with, these matchboxes also randomly contain woven words, found objects and other pieces of thoughts. 

These works can either be placed as installations on walls, tables, floors and a variety of other available indoor surfaces.

 Above are the smaller sample pieces of the photography-based installations from the series. I am currently working on larger works and incorporating details on each match so the viewer can break down the image and be introduced into smaller stories encompassing each part.

More sleepless nights to come...

new web baby

Having my macbook crash into oblivion last week gave me so much freedom to let loose of my usual twitter and facebook routine and go back to other pursuits that needed a little lovin' too - this blog for one, and then our official website for 1961!

Created with a new blog-based format by my ex-girlfriend (a.k.a. spoolartist's wife), the new website is more user friendly, updated and packed with goodies from events, new promotions, exhibitions, insights and all possible things that rock our world here.

So click away on the link: www.the1961.com 

designing the divine

I had the chance to bring my back my passion for sculpture and installation art when I was invited by the Arts Lounge - one of Cambodia's largest and most progressive art spaces at the Hotel de la Paix to exhibit a couple months ago.

The exhibit was with another artist - a Cambodian named Koun Sothea - and was apltly titled Designing the Divine - as we both tackled our interpreatitons of Buddhism as a religion and as a universal culture. Sothea explored Buddhism more personally as it was his religion and he did it through color-rich oil paintings.

Mine was more of a discovery of Buddhism and how I relate to it as a Christian or as an outsider to this faith. I did it through sculptures and installations made of different materials like welded metal, cutlery, found objects, wires, manila hemp, plastic, paper, and whole load of things my kitchen and my stockrooms yielded (coupled with several trips to the local market!).

My work was more so an antithesis of divinity - wherein it represents things, ideals and beliefs that we should sacrifice and let go of - in order for us to attain real enlightenment...

This was the first piece bought from my series which tackles our search for eternal life, how to stop time and live forever - hence the clocks and the elements of time. It is that fervent search for ways to stop time that sometimes forbids us from making the most out of our lives...

See how you interpret Designing the Divine through my other pieces...

It's funny to note that I wasn't originally part of the exhibit, but the idea came up last minute from Hotel de la Paix General Manager Nick to invite me for the show.

So given the concept and such a limited time to put things together (barely three weeks!), I got back to the studio right away and started working non stop (stopping only to eat or catch some winks!) until I got this through.

The morning before the exhibition opening, I thought that my final piece wasn't working, so I went around to look for a second hand mannequin and created "Desire".

This installation was featured in the last issue of Fah Thai Magazine...

The crowd during the exhibition...

The unveiling began with the lights off and the gentle humming of my friend Jessie and poetry readings by my friend Kristian. The show was curated by another friend, Don Protasio.

I don't think I could do a show as rushed as this ever again! All of my clients almost threatened to deport me as I had to shut down my entire world to dedicate my heart to this. I love the intensity of pouring your entire energy to one particular vision, but balancing it together with a business and work is truly a tough challenge...

*exhibition photos by John McDermott

been there, beijing that

So I can finally claim that I am now really in Beijing and immersing in the pinnacle of an empire of enigma called China. Well, instead of treading from its roots with its 3,000 year old history, I did exactly the reverse. My first day in Beijing started with the modern beat of its humanity as a misunderstood nation – through modern art.

And by modern art, it doesn’t get more monumentally on the edge of our age than this.



I visited the 798 Art Center with very little expectations. For one, the international media has been inaccurate in its reporting – I always thought that this was one giant gallery made from a former ammunition factory. Little did I know that this place is an entire ART CITY by itself! It wasn’t made up of one but a whole lot of communist-style buildings and structures that used to make weapons of mass destruction for Russia and China during the years of the cold war.



Now, these factories and ammunitions depot as well as its supporting quarters have been given new lease of life as cutting edge art galleries, auditoriums, theatres, art cafes, conceptual restaurants, bookstores, shops, and almost anything that has art on its core.


A photo gallery with a collage of portraits of former workers in the factories



The Ullens Center for Contemporary Art (UCCA), one of the biggest and most exciting art complexes in the area, was founded by collectors Guy and Myriam Ullens and houses perhaps the most groundbreaking exhibitions in Asia. Over 60 artists are represented in its ongoing exhibition called Our Future – an open dialogue between what will come together to Chinese creators and the other communities around the globe.





One of the most breathtaking concepts is by an artist named Yin Xiuzhen with her exhibition called Introspective Cavity – a cavernous tent made of pinkish / flesh colored used (ukay ukay) clothing that she stitched together. She is known to use her own clothes in past exhibitions as medium for her art.


Inside the cavity...


I walked into another "cavity" this time its a tunnel with television screens beaming on you on four sides. The concept feels like being eaten and driven into a digestive system of mass media...



The tunnel leads you to the end where you have to slide down. Once out, you are on the main exhibition hall already....



This dragon is trying to get itself out of the wall

This huge piece is a collection of calligraphy painted into sheer, delicate fabrics

Chairman Mao's gigantic hand lies on the floor... almost like that scene from Cloverfield!

This piece makes you look to it like a mirror, but the "reflection" you see is astually the other people looking into the exhibition on the other room...

This piece is made up of canvas and worker's gloves

These ones are screen captures of famous Nintendo and PS2 games


the cafe is absolutely cool!


caged red dinosaurs installation outside


Another cool exhibition is by a South Korean artist who seems to be too passionate about Louis Vuitto Speedy bags and its fake counterparts...


hmmm... my wife would have definitely loved this show.

This tea place on the other hand offers al fresco tea experience inside a giant bird cage!

There was also an exhibition showcasing ancient and contemporary art from Tibet

the 798 art space was one of the first ones that opened in the area. This exhibition houses a unique show of photographs printed in reverse.

JoyArt on the other hand featured video installation by artist Joyce Hiller and featured girls that have telekinetic powers...

798 Art DistrictNo. 4 Jiuxianquaio Lu, Chaoyang District, Beijing